Les Blank: Director, Producer, and Cinematographer
Les Blank (1935-2013) was an internationally renowned, independent filmmaker, whose poetic work offers intimate, idiosyncratic glimpses into the lives, culture, and music of the passionate people at the periphery of American society. His film topics have included Cajun, Mexican, Polish, Hawaiian, and Serbian-American music and food traditions, Afro-Cuban drummers, Texas blues men, Appalachian fiddlers, “flower children”, gap-toothed women, and the garlic plant.
Blank is perhaps best known for his feature-length Burden of Dreams (1982/2024), documenting the chaotic production of fellow director, and friend, Werner Herzog’s 1982 film “Fitzcarraldo” in the jungles of South America. Honored with a Criterion DVD edition, and a British Academy Award, Roger Ebert called Burden of Dreams, “…one of the most remarkable documentaries ever made about the making of a movie.”
Another of Blank’s best-loved works is Garlic Is As Good As Ten Mothers (1980), a seminal food film featuring culinary pioneer Alice Waters, and the Gilroy Garlic Festival. This film, notorious for its mouthwateringness, was initially shown in “Aromaround” with garlic simultaneously roasted in-theater.
Les Blank enlisted a handful of talented people to help with his films, beginning with Skip Gerson, then followed by, Maureen Gosling, Chris Simon, Susan Kell, Marianne Yusavage, David Silberberg, son Harrod Blank, and Gina Leibrecht. Many of these collaborators have gone on to make their own films.
Two of Blank’s final films, All In This Tea (2007), and How to Smell a Rose: A Visit with Ricky Leacock in Normandy (2014), were both made in partnership with Gina Leibrecht. All In This Tea, is a feature documentary following tea specialist David Lee Hoffman to the most remote regions of China in search of the perfect leaf. How to Smell a Rose documents Les Blank’s year 2000 visit with the legendary co-founder of Direct Cinema, Richard Leacock. A conversation between these two seminal filmmakers explores Leacock’s historical adventures in film making and his other passion — cooking!
Prior to Les Blank’s death, in April of 2013, the non profit “Les Blank Films Inc.” was created and son Harrod Blank, a filmmaker in his own right, became the organization’s president. In addition to overseeing distribution efforts and re-mastering Les’ films, Harrod spent two years navigating the rights to release one of Les Blank’s least know works, a 1974 film entitled A Poem Is A Naked Person about musician Leon Russell (Janus Films.)
Since his father’s passing, Harrod Blank has been working with a talented team of post-production experts to remaster several of Les’s most popular films, Burden of Dreams (1985/2005/2024.) The team has also remastered the three films Les Blank did with Chris Strachwitz, Chulas Fronteras (1976/2018) Del Mero Corazon (1979/2018) and J’ai Ete Au Bal/I Went To The Dance (1989/2021). Harrod is also working to complete Les’s final film about folk artist Butch Anthony, and plans a biography about his father, (tentatively titled, “Les Blank: A Quiet Revelation.”
Here is an in depth interview with Les Blank by BYOD via YouTube video.
“Blank is a documentarian of folk cultures who transforms anthropology into art.” – New York Times (John Rockwell)
“A master of movies about the American idiom… one of our most original filmmakers.” – New York Times (Vincent Canby)
“A brilliant filmmaker” – Roger Ebert
“I can’t believe that anyone interested in movies or America…could watch Blank’s work without feeling they’d been granted a casual, soft-spoken revelation.” – Time Magazine
Major Retrospectives
- Hot Docs 2013: Les Blank Retrospective
- Pacific Film Archive, Berkeley CA, 2012
- Museum of Modern Art, New York, NY, 2011
- Film Forum, New York, NY, 2008 (Complete retrospective in 16mm)
- FILMEX, Los Angeles CA
- Walker Art Center, Minneapolis, MN
- National Film Theatre, London, United Kingdom
- Independent Film Week, Augsburg, Germany, 1990
- Cinematheque Francais, Paris, France, 1986
- Cineteca Nacional, Mexico City, Mexico, 1984
- Leipzig Film Festival, Germany
- Sofia Music Film Festival, Bulgaria
Membership
Selected Feature Articles
- New York Times
- Los Angeles Times
- Rolling Stone
- American Film
- Film Quarterly
- Village Voice
- Mother Jones
- Premiere
- Several NPR and CNN specials
Educational
- Distinguished filmmaker-in-residence at San Diego State University
- Adjunct assistant professor in film at the University of California, Berkeley.
- Louis B. Mayer filmmaker-in-residence at Dartmouth College
- Directing fellow at the Sundance Institute
Selected Grants
- The National Endowment For the Arts (With Chris Strachwitz)
- The American Film Institute
- The National Endowment For the Humanities
- The Ford Foundation
- The Guggenheim Foundation
- United States Information Agency
- PBS
- BBC
Selected Awards
- Outstanding Achievement Award Hot Docs, 2013
- American Film Institute’s Maya Deren Award for outstanding lifetime achievement as an independent filmmaker, 1990.
- Edward MacDowell Medal (list of previous winners)
- Lifetime achievement from International Documentary Association.
- British Academy Award for Best Feature Documentary (Burden of Dreams)
- “Best of Festival”, San Francisco Film Festival (Burden of Dreams)
- Special Jury Award, Sundance Film Festival (In Heaven There Is No Beer?)
- Blue Ribbon, American Film and Video Festival (Dry Wood, Hot Pepper, Always For Pleasure, Garlic Is As Good As Ten Mothers, Burden of Dreams, Gap-Toothed Women, The Best of Blank, J’ai Ete Au Bal, Yum,Yum,Yum! and Marc and Ann.)
- Selection of two films (“Garlic Is As Good As Ten Mothers” and “Chulas Fronteras”) by the U.S. Library Of Congress for inclusion in The National Film Registry (joining Fred Wiseman and the Maysles brothers as the only documentarians so honored)